Showing posts with label ken robsinon. Show all posts
We are all searching for something.
Often in life we feel lost or scared or confused, but what we are is
directionless. We've stopped searching. As we stop searching we begin
to feel confined, isolated and afraid. We are out-of-sorts, and we
continuously wonder why.
It is because we are not in our
Element. It is because we have not remembered our Authentic Swing. It
is because who we are in actuality is not who we are pretending to be
in reality.
These are all topics I've hit on
before. Topics I've hinted at and mentioned. My posts on Zen and the Art of Teaching are all about this, in the broadest sense. Yet, I've
never tackled the issue head on. Partly, because it is still
undefined in my own mind. Partly, because I know that my ideas are a
collection of Ken Robinson's and Leo Babauta's and Kevin Smith's and
Steven Pressfield's and Joe Rogan's and John Green's.
The names I mentioned are just the tip
of the iceberg. Each of those individuals were inspired by others
stretching back through time. Rogan loves Graham Hancock and Hunter
S. Thompson. Kevin Smith is motivated by Wayne Gretzky and his own
Catholicism. Pressfield studied Indian cultures and religions.
Everyone is a collection of other people's ideas. It may be that
there is no originality whatsoever, only the ether. Only the Element
where all possibilities exist simultaneously and continuously. Where
our Authentic Swings can be remembered.
I am mixing different terms which may
be confusing to those trying to pay attention. Let me be clear:
There is something beyond our own
internal bodies. Something outside the clicking clock that operates
our organs. It goes by many names; heaven, yin and yang, the Field,
the Element, the Middle Path, Nirvana, consciousness, the ether,
Alpha and Omega. Arriving at a name is problematic because it has a
tendency to alienate those unfamiliar with this new name. Or it
causes suffering because of preconceived notions and biases.
I realize these problems exist. Help me
circumvent them. I am calling this consciousness outside ourselves
The Element. It is what drives us in our searching. It is both the
destination and the path. The Element is where we all wish to reside.
We have been there before. When we are
playing sports and get into the zone our bodies seem to become
extensions of our minds, reacting at our slightest will, and
sometimes, without our will at all. Almost on pure instinct. When we
are writing and the words seem to flow from our fingertips. The pen
flies across the paper, our fingers dance across the keyboard and
beauty emerges. We are in our Element when we are in love and when we
are at play. I know we have all been there before. The key is how do
we remain there.
How can we be in The Element at all
times? That depends on who you are. Are you an athlete, a warrior, a
writer, a lover, a singer or a saint? To put it another way, what is
your Authentic Swing? The path you will take is not identical, in
fact it can not be identical, to someone else's. Your path is based
on who you are and the experiences you have. It is individual and
personal. Yet, it is still The Element.
The Element is universal. It is calling
to all of us, and we are searching for it. The more we realize this,
the more we become aware of the cues. We begin to see what leads in
the right direction and what leads us astray. Awareness is the first
step towards The Element. You must open your eyes before anything
else can take place. Yes, the light is bright, but we must embrace
it. We lose our way not because The Element has shifted the path, but
because we choose to shield ourselves from the light.
Take the first step. Open your eyes.
- Comments Off • Category: Authentic Swing, create, joe rogan, john green, ken robsinon, Kevin Smith, leo babauta, philosophy, Spirituality, steven pressfield, The Element, the Field
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This is the beginning of a big idea. I
wanted to get my thoughts out now because they are still fresh in my
mind, but tune in often to see me continue this series.
It all starts with my post on The Energy of People. Which was influenced by Jay Mohr (@jaymohr37). The
basic concept is that people all give off certain energies and it is
the job of the teacher (or in Mohr's case, comedian) to manipulate
those energies to achieve the desired result.
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| "...and that's why the chicken crossed the road." |
As I go about teaching it becomes more
and more apparent to me how similar teaching is to stand-up comedy. I
perform a routine every day. Sometimes it's four 10 minute bits with
5 minute breaks in between. Sometimes it's an hour and half,
non-stop, Dave Chappelle at the laugh factory, crazy train. I stand up
and do these routines 3 times a day, twice a week, and then I write
new material for the next two days. Then the performance starts all
over again. (To explain, our school uses an A/B schedule. I teach 6
classes, 3 each day. Hope that makes sense.)
Ultimately, it's all about those
energies my students are giving off, and how I manipulate that
energy. How I use it to make them laugh, to focus them, to quiet
them, to get them to share something. But what is the most important
part of this energy-manipulating equation?
Me.
It starts with knowing myself. Knowing
my own energy. Knowing who I am. In order to feel this energy and take it in,
change it, then deliver it back out- I need to be at peace. I need to
be zen.
Athletes call this being in the zone.
Ken Robinson calls this the element. The book I'm stealing this blog
entry's title from, Zen and the Art of Motorcycle Maintenance, calls
it Quality. Both are talking about the same thing; being in an
environment where you are comfortable, knowledgeable and capable of
producing results. When you get to point where "work"
doesn't feel like work. It feels like creation.
I'm not perfect yet. Far from it, but I
love going into the classroom to work towards perfection. There are
moments where I tap into it. Great, wonderful, perfect moments that
artists always hope for when things just flow.
One of these moments happened today. It
was my second day of giving the same lesson (remember, A/B schedule),
and so I was already feeling like a comedian who had worked out his
material the day before. The lesson was regarding the Spanish
explorer Juan Ponce de Leon. The textbook mentioned that he is often
remembered for failing to find the fountain of youth. Near the end of
class a student raised their hand and asked, "Why would someone
be remembered for failing to find something?"
There's a bunch of different possible
responses to that. It's Friday, with 5 minutes left in class. I could
blow it off- "Because the text wanted something interesting to
write about." I could dismiss it- "I don't really know."
Perhaps I would have given one of those
answers if I had been feeling anything other than perfectly calm, in
my element, zen.
I looked to my right, stared at a
student for a few seconds who was talking to a neighbor until he
quieted down. Now the class is silent, all attention on me. It's my
audience to win over or lose completely.
"Why would someone be remembered for failing to find something? Good question. No, great question... I think it is because of the time period that had come just before. These explorers are sailing only a few generations after the dark ages; a time of decay and disgust. A time when there was no growth in culture or art or science. A time where someone was born, lived and died without ever traveling more than 25 miles from their home."
"Then come these explorers. They tell stories of lands so vast it fills the whole skyline from end to end. They tell stories of strange new people, and of riches so plentiful they make kings and queen look like beggars. They tell stories of cities made of gold and mythical fountains that can let you live forever."
"I think we remember these people because it doesn't always matter if you find what you are looking for. After times of darkness, sometimes the most important thing you can do is tell someone a story that gives them hope."
Bell rings. Class dismissed.
In a world where we are so often told
that work is just a device to make us money; I think it is important
to find something that you can do in your own element.
I think I've found mine, and I know
that every day it's exciting to go back in and find myself in that
zone of peace and serenity where words, and concepts, and laughter
all flow effortlessly.
It's either that, or I'll try my hand
at stand up comedy.
Thanks for reading. Love you all.
This is the first post in my Zen and the Art of Teaching series. Check out the second post here.
This is the first post in my Zen and the Art of Teaching series. Check out the second post here.
